Duck and cover

(watercolour, gouache and pen, A4)

Here's a Mandarin Duck. I was going to draw a Mallard but the vibrant colours of this duck are too good to pass up.

I haven't done a pencil drawing in a long time so this was going to be a pencil drawing. I started off with Inktense watercolour pencils, but because I only have 12 different pencils my colour pallette is really limited. I changed my mind part-way through so now it's mostly watercolour paint and a little gouache.

Watercolour is quick, which is probably why it's my go-to medium (I do get impatient sometimes). I will do a drawing soon. It's been a while, I might have forgotten how to use pencils.

Mariposa

(watercolour, gouache and pen, A4)

More gouache, although you can't really tell.

Fishfish

(gouache, watercolour and pen, A4)

My first try at using gouache, a totally alien medium to me up until yesterday. It was actually really fun to use, it certainly made my fish look good. I can see why illustrators like it so much.

Illustration Friday: ferocious

RAWR!:

 (watercolour, A5)

I really wanted to follow the topic and draw something mean, dark, ferocious even, but for some reason I just couldn't think of anything. I must be having a creative block in terms of dark subject matter. Hmm, worrying...

At least her hair looks fierce.

It felt good to do another watercolour, I've been trying my hand at oil paints and it's been hit and miss (mostly miss). I think I miss the speed at which I need to paint with water-based media. Oil paint is great for blending and reworking but you need patience. Oh, and cleaning up afterwards is tedious.

(BTW I suck at creating characters)

As you can see I was going to try and draw a cartoony cat. That didn't pan out, but cute kid in a cat costume did. The ball of yarn was an afterthought, as the kid looked odd bearing her claws at nothing.

As usual my initial sketches are weird-looking. While others go into great detail and produce reams and reams of ideas, revisions, revisions of ideas, I usually doodle a few things in pen on a tiny scrap of paper (those are A6 sheets up there!) then transfer it onto the final paper. Thankfully my paper is very forgiving as this is when I end up working and reworking the pencil lines. I know I should do proper sketches beforehand but hey, it's not easy to change, especially when it works for me.

While I wait for a painting to dry...

...I broke out some white Conté crayons and decided to do a quick portrait. Unlike most of the portraits that I (attempt to) do in black on white paper, this one was reversed. Slightly different process, I think.

(White Conté crayon on black paper, A3)

This time I tried to keep it sketchy instead of smoothing it out too much, otherwise it starts to look too unnatural. That said, I've noticed that when I try a portrait, I usually end up drawing the eyes much bigger than they are supposed to be, thereby making it unnatural anyway. Hah. I guess that's my thing then. I must really like eyes.

Good hair day

I know I'm not good at portraits. I also know that I'm not too good with oil paints. So why I combined the two, I don't know.

I used painting knives instead of paintbrushes because I wanted to experiment with creating texture this time around. I spent a lot time on her hair, where all the texture was. I started to paint her face and upper body with a knife as well but it wasn't translating well. By the time I decided to use paintbrushes, the paint already began to solidify and so the textures have stuck. I'm not too fussed, we'll call it 'character'. Anyway, I'm not going to pretend that this was going to turn out like a portrait from an Old Master. It was just me moving a load of thick paint on the paper.

Bumpy...

Illustration Friday: swell

 Water, water, everywhere:

 (oil paint, A3-ish)

I thought I'd break out the oil paints and try to paint water. This photo came out a little bit too bright though. The paint was still wet when I snapped it (I stopped painting about 10 minutes ago) and the wet paint reflected some light in a few odd places. I still need to fix some parts, like the background water and especially the breaking wave which, for some strange reason keeps coming out square every time I paint it, but I thought I might as well post now. After all there are only a couple more days until this week's topic is done.

I'm also determined to actually finish this rather than call it a WIP and then forget about it like I did with my first few oil paint attempts. Hooray for me.


(Only after I chose my "water water" intro line did I decide to look it up and find out that it is actually a line from a poem called "The Rime of the Ancient Mariner". I didn't even know the poem existed until now. Hmm, you really do learn something new every day. Thanks for that, Google.)

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Update, 17th August:
Photos don't seem to do the painting justice. Either the colours are wrong, light is reflecting off it and creating different effects, or there isn't enough light (damn you, English summers!) My first photo (up there) included a few details that aren't actually in the painting but enhanced the image somewhat. So I painted in some of those artifacts and, thanks to a great tip in the comments section I repainted the breaking wave to look less square. I changed the background water as it was too busy and repetitive and the shade of blue right in the distance seemed artificial. This is how my painting looks a day later. I retouched it slightly in Photoshop to get the colour levels as close as I could to the original painting.

It's getting there.
I plan to repaint the sky next. The blue doesn't feel right.